!Book - The New Voice - How To Sing And Speak Properly, WOKALISTÓW folder
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THE NEW VOICE
How to Sing and Speak Properly by
Alan Greene
TO
Rita
my wife
whose love sustains me
during the lonely times
Drawings by Pamela Hyde and Susan Greene
G
Chappell & Co., Inc.
Copyright © 1975 by Chappell & Co., Inc. International Copyright Secured ALL RIGHTS RESERVED Printed in U.S.A. Unauthorized
copying, arranging, adapting, recording or public performance is an infringement of copyright. Infringers are liable under the law.
Acknowledgments
I wish to thank the publishers from whose books I have quoted for their kind permission to do so. Also, I want to thank so many of my past
and present students, in particular Alfonzo Mills, Samantha Sternbergh and Solomon Tawill, for their help in many experimental
projects that made this book possible.
Excerpt from
The Science of Voice
by Douglas Stanley.
Copyright 1929, 1932, 1939, 1948 by Carl Fischer, Inc.,
New York.
International Copyright Secured.
Copyright Renewed. All rights reserved.
Used by permission of Carl Fischer, Inc., New York.
Excerpts from
New Mind, New Body
by Barbara B.Brown.
Copyrights © 1974 by Harper & Row, Publishers, Inc.,
New York.
Excerpt from
The Free Voice
by Cornelius L. Reid. Copyright © 1965 by the Joseph Patelson Music House, New York.
Excerpt from "Autonomic Control" by Peter J. Lang.
Reprinted from
Psychology Today
Magazine, October
1970.
Copyright © 1970 Ziff-Davis Publishing Company. All
rights reserved.
Contents
THE THEORY
What Is It?
The Sound-Producing Mechanism
The Sound-Supporting Mechanism
The Word-Producing Mechanism
How Does It Work?
What Are the Problems?
Separating Sound from Performance
What Is the Solution?
A New Era for the Voice
The Basic Shape
THE PRACTICE
The Sound-Supporting Mechanism, Part One
Don't Use It
The Sound-Producing Mechanism
The Larynx
Exercise 1 • Learning to Yawn the Adam's Apple Down
Exercise 2 • "Yawn" Without Yawning
Positioning the Tip of the Tongue
Exercise 3 • Controlling the Tip of the Tongue
Exercise 4 • "Yawning" the Bow Tie
Exercise 5 • Doing Exercise 4 More Quickly
Exercise 6 • Holding the Lower Section of the Basic Shape
The Pin-Ball Syndrome
The Jaw
Exercise 7 • The Hinge of the Jaw
Exercise 8 • Correct Jaw Motion Down and Up
Exercise 9 • Dropped Jaw with Larynx Functioning
The Outer Semi-Circle
Exercise 10 • Strengthening the Base of the Raphe of the Mylohyoid
Exercise 11 • Strengthening the Sides of the Outer Semi-Circle
The Tongue
Exercise 12 • Strengthening the Tongue Vertically
Exercise 13 • Strengthening the Tongue Horizontally
Exercise 14 • Using the Bow Tie
Exercise 15 • Tension and Motion Simultaneously
The Passive Tongue
Exercise 16 • Relaxing the Tongue
Exercise 17 • Reaching the Back of the Tongue
Desensitization
Exercise 18 • Passing the Back of the Tongue
The Root of the Tongue
Exercise 19 • Reaching the Root of the Tongue
The Sides of the Root of the Tongue
Exercise 20 • Relaxing the Sides of the Root of the Tongue
The Upper Section of the Basic Shape
Exercise 21 • Relaxing the Upper Section of the Basic Shape
The Perfect and Constant HONH
Relaxing Deeper Constrictors
Exercise 22 • Relaxing Deeper Constrictors
Activating the Anti-Constrictors
Exercise 23 • Activating the Anti-Constrictors
Strengthening the Anti-Constrictors
Exercise 24 • Strengthening the Anti-Constrictors
Exercise 25 • More Forward Positioning of the Anti-Constrictors
The Diagonal Tongue
Exercise 26 • The Diagonal Tongue from Tip to Root
Exercise 27 • Gripping the Entire Basic Shape
Coordination and Vibrato
Exercise 28 • Coordination and Vibrato
Exercise 29 • Holding the Basic Shape and Thinking Sound
For Speakers Only
Sound on the Basic Shape
Exercise 30 • Maintaining the Basic Shape on Sound
What Is Vocal Quality?
New Sensations in the Higher and Lower Tones
The Actions of the Vocal Cords
Measuring the Basic Shape
Exercise 31 • Measuring the Basic Shape with New Sensations
Long Tones on the Basic Shape
Exercise 32 • Long Tones on the Entire Vocal Range
Verifying the Perfect and Constant HONH on Sound
Exercise 33 • Desensitizing the Soft Palate on Sound
The Sound-Supporting Mechanism, Part Two
Exercise 34 • Deliberately Expanding the Abdomen
Exercise 35 • Expanding the Abdomen and Chest
Exercise 36 • Activating the Sound-Producing and
Sound-Supporting Mechanisms Simultaneously
Measuring Sound-Supporting Mechanism Tension
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